Extended Pentatonic Fingerings ------------------------------ Dan Adler http://danadler.com/misc/penta.txt Most guitarists learn Pentatonic scale fingerings very early in their careers. These are usually based around the minor pentatonic forms and typically span 3 or 4 frets. The basic fingering that every guitarist starts with is this: Standard A Minor Pentatonic E|x-|--|--|x-| B|x-|--|--|x-| G|x-|--|x-|--| D|x-|--|x-|--| A|x-|--|x-|--| E|x-|--|--|x-| 5 6 7 8 and its inversions. That makes for 5 different pentatonic positions for each pentatonic scale. You need to master these 5 fingerings as they are the foundation and they relate to the underlying major and minor mode fingerings. However, you might want to supplement these 5 fingerings with what I call Extended Pentatonic fingerings. Some of the problems I have found with the standard fingerings are: 1. They don't lend themselves to hammer-ons and pull-offs, which makes it hard to control the dynamics. This causes the phrasing to become very guitaristic and very different from how saxophone and piano players phrase pentatonic licks. 2. It's hard in this position to jump from the G below the root (b7) on the sixth string to the C (b3) above it. This is a very common device used by many sax and piano players. For example, Michael Brecker often uses G-C-G-A as a way to end an Am pentatonic pharse. All of these problems can be solved by observing that pentatonic scales on the guitar can always be played on two consecutive strings as a 2-3 or 3-2 combination. The 2-3 combination means two notes (one step apart), then move up a minor 3rd, and 3 more tones on the next string (one note apart). Fingering 1: ------------ The 2-3 combination always starts on the b7th degree of the minor pentatonic. The notes are: (b7 1) (b3 4 5). The 3-2 combination is an inversion of this which starts with the 3 notes on one string. Therefore it starts on the b3 of the minor pentatonic scale. Extended A Minor Pentatonic (2-3 Formula starting on b7 degree) E|--|--|--|--|--|x-|--|x-|--|x-| B|--|--|--|--|--|x-|--|x-|--|--| G|--|--|x-|--|x-|--|x-|--|--|--| D|--|--|x-|--|x-|--|--|--|--|--| A|x-|--|x-|--|x-|--|--|--|--|--| E|x-|--|x-|--|--|--|--|--|--|--| 3 4 5 6 7 8 9 10 11 12 Fingering 2: ------------ The 3-2 combination always starts on the b3rd degree of the minor pentatonic. The notes are: (b3 4 5) (b7 1) Extended A Minor Pentatonic (3-2 Formula starting on m3 degree) E|--|--|--|--|--|--|--|x-|--|x-| B|--|--|--|--|--|x-|--|x-|--|x-| G|--|--|--|--|x-|--|x-|--|--|--| D|--|--|x-|--|x-|--|x-|--|--|--| A|--|--|x-|--|x-|--|--|--|--|--| E|x-|--|x-|--|x-|--|--|--|--|--| 8 9 10 11 12 13 14 15 16 17 It's easy to see that these two fingerings overlap, so you can easily hop from one to the next. So, at any point, if you want to apply a minor pentatonic, you just locate the b3 and start with 3 notes or locate the b7 and start with 2 notes on that string. Also, notice that rock guitarist sometimes achieve a similar effect by bending strings. If you bend are playing the standard Am pentatonic at the 5th fret and you bend the D on the 3rd string to an E you are basically using the 3 notes (b3 4 5) on the 3rd string. Minor 6th Pentatonics --------------------- The Minor 6th pentatonic replaces the b7 degree with the 6th degree in the minor pentatonic. This gives the scale a sound which is derived more from the melodic minor scale. This scale was extensively used by John Coltrane over Dominant 7th chords in the following inversion. The Am6 pentatonic scale is: A C D E F#. When played from D, over a D7 chord you get: D E F# A C, which relates to D as: 1-2-3-5-7, so you can interpret it as a D9 arpeggio, or as a D mixolydian which is missing the 4th and 6th degrees. Extended pentatonic fingerings can also be used for the m6 pentatonic scale. The formulas still remain 2-3 and 3-2, but now, whenever you have 2 notes per string - there is a minor third interval between them (3 frets) instead of 2, since the b7 is replaced by the 6th. Extended A Minor 6th Pentatonic (2-3 Formula starting on 6 degree) E|--|--|--|--|--|--|x-|--|x-|--|x-| B|--|--|--|--|--|x-|--|--|x-|--|--| G|--|--|--|x-|--|x-|--|x-|--|--|--| D|--|--|x-|--|--|x-|--|--|--|--|--| A|--|x-|--|x-|--|x-|--|--|--|--|--| E|x-|--|--|x-|--|--|--|--|--|--|--| 2 3 4 5 6 7 8 9 10 11 12 Extended A Minor 6th Pentatonic (3-2 Formula starting on m3 degree) E|--|--|--|--|--|--|x-|--|--|x-| B|--|--|--|--|--|x-|--|x-|--|x-| G|--|--|--|x-|--|--|x-|--|--|--| D|--|--|x-|--|x-|--|x-|--|--|--| A|--|x-|--|--|x-|--|--|--|--|--| E|x-|--|x-|--|x-|--|--|--|--|--| 8 9 10 11 12 13 14 15 16 17 Next Steps: ----------- If you really want to master Pentatonic scale usage in Jazz check out Jerry Bergonzi's book (Volume 2): http://www.musiciansource.w1.com/Pubs/pimprov/piismel2.htm